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ProGold

by James William Scott

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1.
A Toast 03:49
Here’s to seeing all your ventures through A glass to success and all that you choose to do A problem will be taken in hand And shown the chute or the abattoir as fast as you can The trade tricks Will make your enemies sick But you’re watched on high and forgiven Lemme tell ya that I feel for you Don’t you know I have a deal for you And some buddies that’ll steal for you Shamelessly How pathetically steady Are the ethically heavy But you have mercenaries with the coarseness you crave A blue-eyed smile and an airbrushed mind A room full of tables and venetian blinds An attitude to failure that is less than kind I can’t breathe in the forest that is set on fire And now I’m wondering what to say to you No one’s looking for the saint in you In fact they’re leaning towards voodoo The courts are going to push the judgment through As your family does the boo hoo hoo So here’s to seeing all your ventures through Lemme tell ya that I feel for you Remember once I had a deal for you Now I don’t know what to say to you I’m not quite sure just what to say to you I was wondering what to say to you
2.
I seem to have overlooked What you needed right from the start Not so much overlooked As felt the fear deep inside my heart Sorry I seem to have overstepped The line drawn in the air I’ve gotta give myself to you but I’m so upset with myself And babe You’ve been more than fair Strapped for vital worth I see the same signs And make the same rhymes I’ve written, said and played for a lifetime It’s a dance that I do At least I’m told I don’t entirely disagree Y’see I’m strapped for vital worth I seem to have overlooked And I seem to have overstepped And if I follow all this advice I get Some peace of mind Some peace of mind Some ease of thought ‘Cause looking down from here It’s one hell of a drop And it going to take something really terrible to get me to stop Falling deeper Falling deeper in love Falling deeper Falling deeper in love Falling deeper Falling deeper in love Falling deeper
3.
Part I: An unexpected breath can only mean That something resonated through you If only for a moment It’s a moment I hope would last until tomorrow It doesn’t have to be too long No, it doesn’t have to be unduly long Or does it Soaked into Fibers in layers that lead me to The need to see you win again I wanna see myself with you Who, who can I turn to now Do you like what’s going on We can’t turn ourselves away Who, who can I turn to now Who, who Wants to know a lonely swinger Who, who Wants to meet an aging shyster Who, who Wants to see this unawaresman Who, who Even cares about our subject Who, who? This unexpected breath can only mean That something resonated through you If only for a moment It’s a moment I hope would last until tomorrow It doesn’t have to be too long No, it doesn’t have to be unduly long Part II: I swear I don’t want to belittle The importance of meeting you If you think the passage of time Has diminished my thoughts, it’s true I’ve been carried away for a long time Laughing away your use If I see you in time, and meanwhile We stay away from each other I’ll bring out the old adage again And find truth in the must Truth in the must The floor crossing member sees the right thinking devotee If you see the confusion on my face You cross the floor away from me And then where are we going to be This unexpected breach can only make me ask “Who am I going to turn to?” “Who am I going to turn to?!?!” Who, who
4.
Maybe it’s the change of the season And maybe I feel like I’ve burnt all my bridges You know I can’t provide A simple life And a wide-eyed song There’s an overactive need To find the match for the burn It’s held in the hand of a friend Before the change of scene I’m happy I’m not alone I’ve got a stable home Tangled into a most woozy weave Startled into a sloth-natured creep I can’t get to sleep for the speed Of my mind Gotta get used to the leaves that are falling from the trees I’m lucky I’m not alone I’ve got a stable home
5.
I hope I have a week like this week, next week That much I know That much I know I hope I have a week like this week, next week That much I know That much I know I’m not one to get excited But all the prospects of the last few days Are on their way to being completed deals All for the price of just a few evening meals And stiletto heels I’m feeling fine about the future I think I’ve hit my stride insofar as my strut Is as convincing as my colleagues’ The ladies But my lifestyle makes me just as afraid Of five o’clock shade I am waiting for the day when all my weeks will be like this I am waiting for the day when all my weeks will be like this I hope I have a week like this week, next week And all the fools who are laughing at me cry The money for the operation Is a tricky beast to collect my friend But gathered right I will be bound for a tie Or anyone down there who captures my eye Or is willing to try A funny mixture of confusion And disgust remains on all the faces of those Who look at nothing more than half of a man And dare to soil the block where I’m honoured to stand And adhere to the plan I am waiting for the day when all my weeks will be like this I am waiting for the day when all my weeks will be like this I am waiting for the day when all my weeks will be like this I hope I have a week like this week, next week That much I know That much I know I am waiting for the day when all my weeks will be like this I am waiting for that day
6.
Beaten Heart 04:29
A stilted sort of candor-lit dinner Culminates in A fistful of finger food in your face A black eye takes such a shining On par with a run of the course The food on your plate On you it will wait A puerilist A pugilist dunce My gloves are off with a string that runs ‘round my back It won’t let me lose this comfort A snarl that is worse than its bark A treasonous one that tallies the tab and dashes away Fine A tip of the hat I’m put in my place It won’t let me lose this comfort Warm as it throbs Pulsing thoughts My beaten heart My beaten heart My beaten heart My beaten heart My beaten heart won’t take it anymore
7.
I’ve always wanted to love you And now I’ve got my chance Don’t want to spoil things with romance And things that are destined to sway you I’ll yell “Free Bird!” at your show And if I’m forced to I’ll fill your van with blow Don’t think I’m your kind of guy Commitment makes me feel shy I don’t want to be brought down I don’t want to be hung up I don’t want to need to try I just want to meet your eye Whoa-oh I think it’s love I’m willing to burn my shirt If you’ll take yours slowly off Ooooh, that’s nice I’ll commit acts ‘til I’m dry There’s no rubber product I won’t try Don’t think I’m your kind of guy Commitment makes me feel shy Don’t want to be brought down Don’t want to be hung up I don’t want to need to try I just want (He just wants) I just want (He just wants) I just want (He just wants) I just want (He just wants) To meet your eye I don’t want to lose the right to solitude And if that sounds like being rude I guess I’m better off alone The occasional bone I see the threshold of maturity The honest truth is that It’s scaring me The phantom is looming presently It’s encroaching on me Na-na-na-na-na-now Na-na-now na-na-now Etc. I don’t want to be brought down I don’t want to be hung up I don’t want to need to try I just want to meet your eye I don’t want to be brought down I don’t want to be hung up I don’t want to need to try I just want to meet the eyes of Rick Wakeman
8.
Why don’t you Do the things You should have done And had ingrained Long ago And had to show Before Your youth was gone Allot your time Enhance your mind It’s amazing how it changes Prefer comfort And doing things Related to Comfort Exert just to relax The cradle kidnaps another Not me Hopefully be Happy to be Not me Why don’t you Do the things You should have done And had ingrained Long ago And had to show Before Your youth was gone
9.
Flow 03:00
Not in time To follow the current Not in time To follow the river A life sublime And unencumbered By this polluted flow Hoods and studs are eyeing The figure of this She who's never toying For an empty kind of sign From every eye If it's decent it gets done A standard set safe for everyone With friends flying off ad nauseam Firmly planted in the bedrock of their hometown A careless saunter in And fortified Beating on the skins Later I thought I'd never walk again But rose to the occasion I've always wanted to be Wading for you I've always been Waiting for you Not in time To want to follow the current Not in time To want to follow that river You're sublime And unencumbered By this polluted flow I'd climb this hill again If you'd deign to be A Jill just for my Jim And if apocalypse begins And it's all encumbered again By this polluted flow And an empty sign Will be all there all there is All there is All there is All there is
10.
Well, there’s your chronic schadenfreude And I’m no marquis As you can see I’m more a man-child remaking his caul I send my fondest regard And I watch and wait on my guard And “Damn it” I quietly say And reluctantly mute the string That beguiled me so with its tone You’re a girl that minds matters Yeah You’re a girl that minds, minds matters I’m into making our life better If you’re into making it better Even if I have to shout You freak out Yeah It’s so rare to see you relax It’s so rare to see you relax But that is merely what this fool can see Or this fool believes His skills are lax So “Damn it” I finally say And reluctantly mute the string That beguiled me most with its tone And caused me most to sing If you want to make it better You’re a girl that minds matters Yeah You’re a girl that minds, minds matters You’re a girl that minds matters Yeah You’re a girl that minds, minds matters What a delight to be crushed By such insensitive hues You could paint me Black and blue You could stain me ‘til I shine You could brush me off Say I’m a lacker in so many ways You could say a thousand words You could just kick me where it hurts And all because you’re so delightfully insensitive I’m still thinking about remaking that caul Just a little bit Just a little Just a little You are a girl who minds matters You are a girl that minds, minds matters You are a girl who minds matters You are a girl that minds, minds matters If you want to make it better I want it better
11.
I know a lady Who says you can’t see the picture When you’re standing in the frame I don’t see her daughter And thus not the lady But that wisdom has remained Blind to the picture Blind to what we’ve done Blind to the picture Blind to what goes on Some stopgap information Is making the way to reparations And just being friends again We’re wasting lives One more reprise Blind to the picture Blind to what we’ve done Blind to the picture Blind to what goes on If I were trading My space inside the picture You know I’d end up Just the same What have we done To give Each other room To be themselves And frame themselves Frame themselves
12.
The New Hiss 03:22
The Swedes have hit the pop charts And I'm hanging out with old farts Liking the music of the past Loving home and country And I cannot get my country This rotten shambles cannot last No longer weeping about it Fearfully I'm often laughing about it Over and over The wool is pulled down A little further than the time before All expert opinions have been laid to rest The troops lined up outside Waiting for the party to begin Pretty soon they all doubled up And cloned around for the cameras ...putting pictures in my life Making themselves the mother Of a blinding situation So guarded In the rec room I've got a wreck's womb It's my policy to think about you But how many promises are broken After you leave the campaign trail ..and now I'm No longer weeping No longer holding Weights and shackles To ensure debacles, Petrification and about-facin' I have turned a leaf That will not Wilt until I Fall back into these... Blues have hit the pop charts And I'm hanging out with old farts Liking the music of the past Loving home and country And I cannot get my country It cannot last I'm old before my time The unemployment line Situation's fine
13.

about

These tunes were written between 2003 and 2009 (although The New Hiss was started circa 1992). Recording commenced in 2006 and I think I initially abandoned tinkering with them in 2011. (Indeed, these songs predate my previous album, Slender Frame.) To celebrate the 20th anniversary of the start of the bulk of the writing for this project, I decided to dress these tunes in something approaching their tattered Sunday best.

Go forth, immature ones!

This is a remix album, although very few people have heard the original mixes of these tracks. While working on this collection, I took a listen to my 2014 mix of “Used To Be” (on Slender Frame) and thought it could be improved. Included is my recent mix of it as a bonus track. Since “Used To Be” was recorded at ProGold Studios, it fits into the concept nicely.

James

credits

released June 3, 2023

Produced by James William Scott (except "The New Hiss" produced by James William Scott and Lee Kenneth Rogers)

Engineered by James Scott, Lee Kenneth Rogers and Ken Hull

Recorded at ProGold Studios (Toronto), The Runnymede House (Toronto), Ken Hull's barn (North Bay), Arraymusic (Toronto) and Seven Labatt (Toronto)

Album Cover: Coppola Minute Design

Many, many, many thanks to Lee Kenneth Rogers for your immense talents, the use of your studio and your belief in this material over the years. I’m eternally grateful.

Thanks also to Andrew Rodger for your support and belief in these tunes.

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James William Scott Toronto, Ontario

Toronto-based composer. Plays drums and keyboards. Sings a bit. Drums with Heavy Ethics, Hot Wax Meltdown and Strange Brood. Keyboards with Polite Society.

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